![]() Name Is Asher Lev" as well as Sanford Pinsker's "TheĬrucifixion of Chaim Potok/The Excommunication of Asher Lev: Art and the Lillian Kremer's "Daedalus inīrooklyn: Influences of A Portrait of the Artist as a Young Man on My The journal's 1985 issue, entitled "The World ofĬhaim Potok," featured S. Potok's Portrait of the Young Hasid as Artist," appeared in Monograph on Chaim Potok, written by Edward Abramson, was published inĮllen Uffen's early article, "My Name Is Asher Lev: Chaim In fact, the earliest criticalĮssays on Potok were printed in SAJL several years before the first Scholarship on My Name Is Asher Lev, not to mention on the largerĬontext of Potok's work as a whole. Literature, in particular, has been one of the leading fora for Jewish painter struggling to reconcile art with tradition has alsoĪttracted much scholarly attention. Relations due to its Christological subject matter, the story of a young ![]() Regularly assigned as compulsory high school readingĪnd frequently discussed within the context of Jewish-Christian Lev (1972) has long been hailed as one of Chaim Potok's finest The highly popular and critically acclaimed novel My Name Is Asher ![]() APA style: Chaim Potok's reforming of a traditional Judaic narrative in The Gift of Asher Lev.Chaim Potok's reforming of a traditional Judaic narrative in The Gift of Asher Lev." Retrieved from 2012 Pennsylvania State University Press 08 May. MLA style: "Chaim Potok's reforming of a traditional Judaic narrative in The Gift of Asher Lev." The Free Library. ![]()
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